Showing posts with label music. Show all posts
Showing posts with label music. Show all posts

Wednesday, 17 September 2008

FEATURE: A musical feast with veg on the side

A Musical Feast With Veg On The Side
Louise Ridley talks to Adam page about his original solo show

Fancy some beat boxing mixed with Indian rhythms on the nose flute? Or a salsa track with a hint of African thumb piano? Then Adam Page is your man. The multi-talented music maestro from Adelaide turns his hand to almost any instrument, and showcases them all in his appropriately named one-man show, ‘Adam Page Solo’.“It all starts from scratch”, says Adam, who uses live looping and sampling to create a unique composition during every show, “nothing is pre-prepared. I ask the audience what style they want to hear and take a bit of a vote, then I might beat box a bit and lay down a rhythm. Every single show is different, which is great because it means I am getting something out of it creatively, as well as entertaining people!” The audience also become music makers themselves: “I get people up on stage to record stuff into the loop pedal or the whole audience to sing some notes together. Then I build on what they are singing and they are incorporated into the piece.”A saxophonist by trade, a defining moment in Adam’s youth was watching fellow sax player Jamie Oehlers. “I saw him play when I was in year 10 at school and he just blew me away. I realised that this was what I wanted to do. Around that time I started getting bad marks in every other subject except music. So, it was a good thing really!” Since then he has toured Australia nine times with funk band The Jive Express, but his solo show allows him to indulge his inner frontman: “The freedom is amazing. I’ve always been a side man and I like the limelight! It’s great to be out there exposing my music to people, that’s what it’s all about. I love life on the road; it’s my number one passion”.When he puts down the sax, Adam dabbles with flute, clarinet, bass, guitar, percussion and beat boxing as well as some more unsual instruments: “I do Tuvan throat singing” [Here Adam breaks into an impressive noise which can only be described as the sound of a didgeridoo - without the didgeridoo] “There is the mbira which is an African thumb piano, and the madal, which is a Nepalese hand drum.” He turns “anything the audience throws at me” into an instrument, which has included a whoopie cushion and asthma inhaler. However, he won’t spill the beans about the intriguing tagline to his show – ‘One man. 15 instruments. One vegetable.’ “There is a vegetable but I won’t reveal what it is or how I play it – I’m pretty happy with it though!” Squeezing his instrumental collection onto the plane might prove tricky, then? “Obviously I can’t bring them all to Edinburgh! I need to buy a didgeridoo when I get to London actually...”Despite winning the Best Music By An Emerging Artist award at the 2007 Adelaide Fringe Festival, this will be Adam’s first Edinburgh Fringe. “Edinburgh seemed like the next step! I can’t wait. I’m doing 24 back-to-back shows and it will be great for my development to really focus in that way.” He’s looking forward to sampling what the Festival has to offer: “Michael Franti, John Cleary, and Spearhead; I’ve already got my tickets for that! I’m into classical music, as well. I’ll definitely go to the Bach cello suites because I play them on the saxophone. But I’m most looking forward to seeing really unknown shows like myself; there are so many people out there!”

--Adam Page Solo, Underbelly, 31 Jul - 24 Aug, 5.20pm (6.20pm), prices vary, fpp 138.

published: Aug-2008 for Three Weeks newspaper at the Edinburgh Festival

REVIEW: Beethoven For Breakfast

Beethoven For Breakfast
ROSL Arts

A fellow reviewer begged me not to do the obvious and mention the croissant in my review of my first ‘For Breakfast’ experience. He was right - complimentary foodstuffs were utterly unnecessary as an enticement to this wonderful performance. The standard was the very highest as we heard two Beethoven works and a sprinkling of Schubert in the undeniably civilised Royal Over-Seas House. Michael Lerace played as though the piano is an extension of his body; gracefully teasing out the beauty in each strain. The trio that followed were also outstanding, giving a sophisticated and sensitive performance. This was relentlessly absorbing music - I left feeling like I had been submerged in it and didn’t want to come up for air.

Royal Over-Seas League, 12, 14, 19, 21 Aug, 9.30am (10.30am), £10.00 (£8.00), fpp 141
tw rating: 4/5

published: Sep-2008 for Three Weeks newspaper at the Edinburgh Festival

REVIEW: Kenny Young And The Eggplants

Kenny Young And The Eggplants

How many instruments can you name that resemble an aubergine? Kenny Young and his affable band have a whole bag of them, which they bring out for their hilarious finale, ‘The Savage Eggplant’. In between songs, this Brooklyn trio seem a bit bemused, and humble to the point of bashfulness, but when they start singing their laid-back acoustic pop and bizarre but witty lyrics, they take the audience into a world of talking alligators, aliens and pirates. It’s liberating, silly stuff, toe-tappingly cheerful, and I found myself joining in the several spontaneous sing-alongs that occurred. They evidently enjoy themselves on stage and have a great rapport with their audience, and Kenny’s soft but edgy voice is great for their kooky tunes.

Acoustic Music Centre @ St Brides, 18 – 24 Aug, 8.00pm (9.00pm), £10.00 (£8.00), fpp 155
tw rating: 3/5

published: Sep-2008 for Three Weeks newspaper at the Edinburgh Festival

REVIEW: St Michael And All Saints Festival Concerts

St Michael And All Saints Festival Concerts
St Michael and All Saints Church, Tollcross

I find the organ a difficult instrument to give my full attention to as you often can’t see the organist and the physical source of the music is hidden. This concert of Messiaen’s ‘La Nativité du Seigneur’ (the Birth of our Lord) - which was skilfully performed by Phillip Sawyer - was given a visual focal point in the display of lithographs of an artist’s interpretation of the music which complimented each movement in bold colours and abstract patterns. The music was mainly sombre in tone with slow changing chords beneath a meandering, dissonant melody, rising to increasing depth and grandeur as the movements progressed. Especially evocative of its theme was Les Anges (the angels) where rising trills evoked flight.

St Michael and All Saints Church, dates vary, times vary, free non-ticketed, fpp 162
tw rating: 3/5

published: Sep-2008 for Three Weeks newspaper at the Edinburgh Festival

REVIEW: Beating Of The Russian Heart

Beating Of The Russian Heart
Koleso

Russian folk music is strong and spirited, and these seven young women did credit to it with their hearty voices and cheeky smiles. In bright traditional costumes they exuded great energy through through the use of powerful dissonant harmonies and dances with scarves and handkerchiefs. The programme was well-ordered, taking us through various moods and styles; the a cappella sections were the most atmospheric, and it was a pity that when backing music was used it was mostly pre-recorded, which detracted from the authenticity a little, putting them in danger of slipping towards a Eurovision-style pop track. Fortunately, they didn't, and after receiving some dance lessons on stage the audience went away in no doubt that Russia's heartbeat is a passionate one.

C Soco Urban Garden, 13 - 25 Aug, 2.00pm (3.00pm), , prices vary, fpp 141
tw rating: 3/5

published: Aug-2008 for Three Weeks newspaper at the Edinburgh Festival

Wednesday, 10 September 2008

REVIEW: The Riot Showgrrrls Club

The Riot Showgrrrls Club
Dworkin

As I clutched my complementary wine and labia cake, I wondered how this was going to work; showgirls singing songs about feminism? Surely not? But this unusual piece of campaigning by radical feminists Kate Kerrow and Rebecca Mordan (aka Madame Magdalene and Mistress Lilith) pretty much pulled it off. 'Moulin Rouge' met Angela Carter as the pair mixed cheeky cabaret and electropop songs with a serious examination of the abuse and degradation behind the porn and lad mag industries, probing their subject matter with sincerity, and a willingness to consider other perspectives. It was hard to fully relax into enjoying their silky voices with such hard hitting messages behind them, but overall, like the wine, it went down well.

Gilded Balloon Teviot, 30 Jul - 25 Aug, 10.15pm (11.15pm), prices vary, fpp 177
tw rating: 3/5

published: Aug-2008 for Three Weeks newspaper at the Edinburgh Festival

Sunday, 7 September 2008

REVIEW: The Zawose family

The Zawose Family
Realworld

Witness a precious piece of cultural history at St George's West. The charismatic Tanzanian Zawose family are descended from the late Hukwe Zawose, who became a musical ambassador for their country and enjoyed huge successes in the 1980s. Since his recent death, the family has struggled both to survive and to keep their music alive. A powerful documentary film tells their story, followed by a live performance. The traditional music, on hand-made instruments, is intensely personal and passionate, ranging from gentle lilting magic to exuberant joy. Intricate rhythms and raw, heartfelt vocals provide a unique and intimate experience, which is testament to the importance of music, not just as a pastime but also as a lifestyle and as part of a national identity. Mesmerising and uplifting.

The World @ St George's West, 1 - 30 Aug, 2.00pm (3.10pm), £10.00 (£8.00) (£5.00C), fpp 123
tw rating: 5/5

published: Aug-2008 for Three Weeks newspaper at the Edinburgh Festival